ACTober Fest

Oct 4 - Nov 10, 2007

Home 10 Min. Plays Solo Tickets Directions etc

Semi-Finalists

Model Home by Stephanie Hutchinson

Directed by Jonathan Levit

Elizabeth ... Holly Montgomery-Webb

Boy ... Cole Fletcher

Girl ... Camryn Love

Mom ... Erin Neimeyer

Man/Jim ... Devin Williamson
 

Moment of Possibility by Kaitlin McCloughan

Directed by David H. Silverstein

Susan Miller ... Kenlyn Kanous

Will Watson ... Jonathan Strait

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Shelter Skelter by Ludmilla Bollow

Directed by Bill Ferber

Annie ... Danila Oder
Mrs. Sullivan ... Judy Durning
Clarence ... J.P. Hubbel

 

A Little Boom Boom By Norman Knight

Directed by Susan Boulanger

Producer ... Matt James

Actress ... Katie Brunk Lupton

 

Moonlight Sonata by Wind Dell Woods

Directed by Jamie Moore

Damon – Samuel Ou

Lisa – Millena Gay

Jake – Chris Zyck

  

Harry Wilson’s Fifteen Minutes by Dennis Jones

Directed by Christian Gossett

Jack Jillson ... Jennifer Quintenz

Brenda ... Caroline Stack

Sara ... Jodi Harrison

Harry ... Sean Sweeney

Edna ... Miriam Lebental

Cameraman / Voice Over ... Les Mahoney

 

Tipping Point by Mark Andrew

Directed by Jennie Roberson

Hannah ... Eliza Swords

Scott ... Mark Deliman

 

The Hole by Art Shulman

Directed by Liz Brasler

Guitarlist ... Joey Brasler

Alice ... Lynn Conner


The Merce Award is presented to the playwright who captures a slice of life and is able to speak to our hearts and consciousness.

 

 

 1st Prize (Two plays)
The Alleged Adventures of Blenderman
by Michael G. Shapiro (Musical)
Directed by Derrel Maury
Dr. Gill … Jordan T. Maxwell
Sanders … Gugun Deep Singh
Dr. Borris … Cleve Nettles
Dr. Morton … Alan Porter Rackley
Dr. Delany … Lindsey Moore Ford
Dr. Kincaid … David Veach
Orderly Fazla … Stephanie Keefer
MUSICIANS: 
Richard Callachi (Piano/conductor)
Ethan Minton (Electric bass)
Tom Strahle (Guitar / Ukelele)
Lindsay J. Hardman (Costume design)
Josie Yount (A/V support)

  

One of the Great Ones

by Chris Widney

Directed by Joshua M. Bott

Enid Stump ... Jill Jacobson

Jimmy ... Brandon Parrish

Lee ... Lizzie Peet

Hank ... Christopher Guilmet 


1Finalist:
The Birthday Knife
by Jerome Parisse
Directed by Jenny Byrd
Michael ... Ron Moon  
Vanessa ... Marie Lively
Hunter ... Ben Fuller
Sandy ... Dana Jenkin
Rachel ... Amy Poncher
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Leap Year
by Roy Battocchio
Directed by Stu Berg
Dexter ... Adam Conger
Tom ... Craig Patton
1
Bad Dad
by Jan Michael Alejandro (Musical)
Directed by Alan Palmer
Jonathan ... Mayo Best
Nancy  ... Caitlin Genereux
Jeff ...  Greg Haskins
Nick ... Brett Hunt
Ralph ... Jeff Van Hoy
Keith ... Keith Taylor
1

 Piney Ridge

by La’Chris Jordan

Directed by Samantha Brown

Junior ... Alonzo Ali

Bessie ... Nyoka Boswell

Sam ... Jack Gibson

Sarah ... Leisan Roche

 

The Eleventh Minute by Marika Barnett

Directed by Kaz Matamura

Writer ... Josh Polizzi

Friend ... Lainey Hashorva

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Just Far Enough by Carl L. Williams

Directed by Julie Stevens

Jeff ... Ben Felber

Julie ... Lindsay Seim

Kyla ... Ryan Tweedy

 

The Crown of Ariadne by Sheilah Kleiman

Directed by Mallory Garrett

Benjamine ... Art Shulman

Molly ... Alejandra Reynoso

 

Caine and Abel: The Naked Truth (Musical)

Book by Myrna Emata (Music Director)

Music by Madley Katarungan

Lyrics by Kellen Blair

Directed by Michele Spears

Caine ... Stephen Van Dorn

Abel ... John David Wallis

Trudy ... Rachel Payne

Eve ... Kelly Lester

God ... Adam LeBow

  

This is Me by Dan Steele

Directed by Jhennifer Webberley

Lei ...  Ali Raizin   
Louie ... David Nash

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Queen of the River by Jean Ann Wertz

Directed by Michael Quill

Doug ... Elizabeth Quill

Rhonda ... Analou Lozano

 about the Merce Award ...

Mercedes Shirley was our mentor.  You will see her picture in the lobby, welcoming you with both hands in the air.  Eight years ago, only one month before this theatre opened, she passed away.  While Mike Rademaekers and I were embarrassingly green and stressed out learning the theatre business, Merce was a veteran Broadway actress whose smile made us slow down and smile back at her.  It was her belief in us that made us realize how a “possibility” can turn into a reality.  Even before I could speak English well, she encouraged me to write a play.   

“Oh, you can do it!  Of course, you will not be perfect.  It may take time, so why don’t you start now?”   

She was right.  Therefore, we just started to build this theatre before we could over think it.  

 Before the line between hobby and profession becomes fuzzy, artists learn their techniques from their masters by imitation.  I only knew Merce for four years and it was not enough time to figure out what was her magical presence was all about.  All we could do after her passing was to dedicate the theatre to how Merce would have run it. 

                We came up with our motto  “Dream it, See it, Make it Happen” to remind ourselves to be idealists, visionaries and activists, and to encourage others to do the same. 

While the arts can easily become secondary to survival for many lives in America, our goal is to nurture and create true renaissance artists to bring a little bit of joy and understanding to everyday life, anywhere and to anyone.  I believe we have succeeded.  There is no borderline between writing, directing and teching, cleaning, decorating, building a set or greeting people at the door in this theatre.  Everyone does everything, and by doing so, we expand each other’s horizons just a little bit more.  

Merce was wise, graceful and funny as hell.  She made us laugh with her impersonations (Stella Adler being one of the best one she did).  One evening, we were discussing her Thomas Payne script over glass of wine.  I stopped and realized, “Wait… this lady, who was were friends with James Dean and Paul Newman, is discussing history with me… what the hell am I doing here?”   

Moments like that were what we cherished most – having a “dialogue”.  That is what we do here.  Writers as young as five learn from talking aloud about their ideas for a play, discuss how to execute it and put it on a paper.  Established actors come here to discuss how to make their solo shows more solid.  We sit and exchange inspirations.   And this theatre is the physicalization of those inspirations. 

Mercedes was our guiding star, and after eight years, we are still trying to follow that star, keeping our heads high and marching on to get close to it.  (Thank you to the lovely Fire Rose Productions Board for catching me whenever I am about to fall back or to lose my balance!.)  

We thank The Pender Family for making this award possible, and being there everymoment and adopting our theatre family as their extended family.  I personally thank them for their graceful presence. 

 

Ahhh, the theatre.  Tradition and respect should never be pushed aside!

 

~Kaz Matamura

 

Play is the beginning of knowledge.  – George Dorsey